Realistically colorized historical photographs

Weekly digest email from StumbleUpon frequently has some good stuff.  In this week’s edition, there was a link to 36 realistically colorized historical photos, which does have quite a few images worth your time.  My best three picks would be these:

Abraham Lincoln

 

Abraham Lincoln’s portrait from 1865 – colorized version does make it seem like a much more recent photograph.  The black and white one is cool too, but I don’t find it as engaging as the colored one.  It’s hard to believe that it was taken almost 150 years ago.

Japanese archers

 

A photograph of Japanese archers from 1860, which coincidentally shows one of the techniques for holding multiple arrows at once, that was mentioned in the recent video I’ve shared.

And also this photograph from Washington D.C. in 1921, which is just cool and looks like a frame from a gangster movie.

Washington DC

 

Have a look at the rest of them – there are some really good ones.

 

Mirabaud Yacht Racing Image

From the about page:

The ‘Mirabaud Yacht Racing Image’ is a yearly photographic contest and exhibition. It seeks to recognise the very best yacht racing image taken during the year, and that which best represents the essence and excitement of yacht racing as a sport.

Regardless of whether or not you are into sailing, photography, or sports – you will be amazed by some of the images in that contest.  It’s not one of those Flickr photo groups where you’d just scroll through.  This one will pause you, will make you look closely, and enjoy.

Claire_Matches_YRI13_1024-1000x691

The Daily Post introduces Photography 101 series

The Daily Post blog which I mentioned a few times before has started yet another rather useful thingy – a series of posts on how to become a better photographer.  Here is the first post, and it’s rather good.  There are not too lengthy explanations, bullet point summaries, and, of course, excellent images.

There are several common misconceptions about photography: it’s about art, it’s about light, it’s about subject. All of those things are true, but even before all of that, it’s about people and psychology. (Even photographs that have no people in them!) The photographer makes an interpretation of the scene/subject; on the other end, the viewer makes another interpretation. The very best photographs and photographers convey their ideas cleanly to the end viewer, while still leaving room for imaginative interpretation. This means that to make a good image, you need to be able to recognize one.

Back when photography was one of my primary hobbies, I read a lot of articles, books, and forums.  Writing like that is rare.  Simple, yet concise language.  It’s almost like someone is just talking to you.